This object was woven as one long piece, the two ends folded up to form
storage pockets with slits for the loops of the closure panels. The sides
were then sewn together and reinforced. When placed upon the back of a
donkey, horse, or mule, the load would be distributed evenly.
The field pattern shows a tessellation, the repetition of a single shape that
forms a pattern with no gaps and no overlaps. Each of the surrounding borders
shows a border pattern with rotation. The central connecting panel shows a
border pattern of reflection and glide reflection with offset colors.
Several different weaving techniques were used in construction and decoration
of this saddlebag. The face panels are executed in what is called soumak (a
supplementary weft-wrapping technique); the central panel is a tapestry
weave. Soumak lends itself to diagonal lines, whereas short straight lines
are well-suited to tapestry weave. There is no pile.
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